Through a transnational, comparative and multi-level approach to the relationship between youth, migration and music, the aesthetic intersections between the local and the global, and between agency and identity, are presented through case studies in this book.
Transglobal Soundscontemplates migrant youth and the impact of music in diaspora settings and on the lives of individuals and collectives, engaging with broader questions of how new modes of identification are born out of the social, cultural, historical and political interfaces between youth, migration and music. Thus, through acts of mobility and environments lived in and in-between, this volume seeks to articulate between musical transnationalism and sense of place in exploring the complex relationship between music and young migrants and migrant descendants' everyday lives.
Jo??o Sardinhais a researcher at IGOT (Institute of Geography and Spatial Planning), Center for Geographical Studies, University of Lisbon, Portugal.
Ricardo Camposis a researcher at CICS-Nova (Interdisciplinary Centre of Social Sciences), Faculty of Social Sciences and Humanities, New University of Lisbon, Portugal.
Introduction: Transglobal Sounds
Jo??o Sardinha and Ricardo Campos
Part I: Music, mobilities and processes of being
Chapter 1: Afro-mandinga in Lisbon: griots and the (en)chantment of the past
Carolina Carret H??fs
Chapter2: From Coimbra to London: to live the punk dream with my tribe
Paula Guerra and Pedro Quintela
Part II: Hibridism and aesthetic creativity
Chapter3: 'More than pets of multiculturalism': Diasporic hybridity in Icelandic popular music ??? The case of Retro Stefson
Gestur Gu??mundsson and Arnar Eggert Thoroddsen
Chapter4: Popular Music and Generational Dynamics of Immigration in 'Postcolonial Finland' ??? the Case of Ourvision Singing Contest 2009l£-