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The Unforgivable: And Other Writings [Paperback]

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  • Category: Books (Literary Collections)
  • Author:  Campo, Cristina
  • Author:  Campo, Cristina
  • ISBN-10:  1681378027
  • ISBN-10:  1681378027
  • ISBN-13:  9781681378022
  • ISBN-13:  9781681378022
  • Publisher:  NYRB Classics
  • Publisher:  NYRB Classics
  • Pages:  288
  • Pages:  288
  • Binding:  Paperback
  • Binding:  Paperback
  • SKU:  1681378027-11-SPLV
  • SKU:  1681378027-11-SPLV
  • Item ID: 106865757
  • List Price: $18.95
  • Seller: ShopSpell
  • Ships in: 2 business days
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  • Delivery by: Oct 10 to Oct 12
  • Notes: Brand New Item. Not shipped to AK, HI, APO, FPO, AE.
Thrilling, stylish essays about everything from flying carpets and Doctor Zhivago to God and Shakespeare, by a rediscovered Italian writer.

Christina Campo published only two short collections of essays in her lifetime: Fairy Tale and Mystery (1962) and The Flute and the Carpet (1971). The Unforgivable and Other Writings brings together both volumes, along with a selection of essays on literature and an autobiographical short story, offering readers of English the first full-length portrait of a writer who has long been admired in Italy and abroad.

Campo's subjects range from the canonical to the esoteric. She writes stylishly about Shakespeare and Doctor Zhivago, as well as flying carpets, sprezzatura, and the theophagic origins of the Latin liturgy. Her passion for Marianne Moore and T. S. Eliot makes her a modernist, but like these American counterparts she is a modernist preoccupied by the deep past and by her desire to escape from personality through sustained attention to form. For Campo, writing was a spiritual discipline, and her sentences are at once wonderfully and wildly alive and serenely self-effacing. I have written little, she once said, and would like to have written less. Christina Campo was an anchorite with worldly manners [and] the face of a fifteenth-century Tuscan statue. She lived amid contradictions, between hope and despair, passion and scorn, gentleness and rage. She had a sovereign sense of limits and frontiers, but her soul was immoderate. She longed for the unknown homeland, the God hidden behind the visible gods. —Pietro Citati

“Campo’s language, steeped overlong in ritual, comes on like a sibyl’s breath....I imagine you could spend a lifetime with Campo’s work lÓ(
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