Vanguard Performance Beyond Left and Rightchallenges assumptions regarding “radical” and “experimental” performance that have long dominated thinking about the avant-garde. The book brings to light vanguard performances rarely discussed: those that support totalitarian regimes, promote conservative values, or have been effectively snapped up by right-wing regimes the performances intended to oppose. In so doing, the volume explores a central paradox: how innovative performances that challenge oppressive power structures can also be deployed in deliberate, passionate support of oppressive power. Essays by leading international scholars pose engaging questions about the historical avant-garde, vanguard acts, and the complex role of artistic innovation and live performance in global politics. Focusing on performances that work against progressive and democratic ideas (including scripted drama, staged suicide, choral dance, terrorism, rallies, and espionage), the book demonstrates how many compelling performance ideals—unification, exaltation, immersion—are, in themselves, neither moral nor immoral; they are only emotional and aesthetic urges that can be powerfully channeled into a variety of social and political outlets.
Explores the complex relationship between avant-garde art and politics to reveal links with right-wing or fascist causes
Kimberly Jannarone is Professor of Theater Arts and Digital Arts and New Media at the University of California, Santa Cruz. She is author of Artaud and His Doubles.
"Jannarone's Introduction to this remarkable volume presents a 'central paradox': experimental performance that challenges established powers can be used to reinforce them. Thus avant-garde radicalism knows no particular master. That conundrum is at the heart of the
Vanguard Performance... [a] frighteningly thrilling collective achil)