This book analyses the impact of HIV and AIDS on performance in the twenty-first century from an international perspective. It marks a necessary reaffirmation of the productive power of performance to respond to a public and political health crisis and act as a mode of resistance to cultural amnesia, discrimination and stigmatisation. It sets out a number of challenges and contexts for HIV and AIDS performance in the twenty-first century, including: the financial interests of the pharmaceutical industry; the unequal access to treatment and prevention technologies in the Global North and Global South; the problematic division between dominant (white, gay, urban, cis-male) and marginalised narratives of HIV; the tension between a damaging cultural amnesia and a potentially equally damaging partner AIDS nostalgia; the criminalisation of HIV non-disclosure; and, sustaining and sustained by all of these, the ongoing stigmatisation of people living with HIV.
This collection presents work from a vast range of contexts, grouped around four main areas: womens voices and experiences; generations, memories and temporalities; inter/national narratives; and artistic and personal reflections and interventions.
1. Alyson Campbell and Dirk Gindt: Viral Dramaturgies: HIV and AIDS in Performance in the Twenty-First Century.- 2. Alyson Campbell: GL RYA (w)hole Lot of Woman Trouble: HIV Dramaturgies and Feral Pedagogies.- 3. Janelle Fawkes and Elena Jeffreys: Staging Decriminalisation: Sex Worker Performance and HIV.- 4. Katharine Low, Matilda Mudyavanhu and Shema Tariq: The Press / Supress / Our stories of happiness / They choose to define us / As suffering headliners: Theatre-Making with Women Living with HIV.- 5. Peter Dickinson: Still (Mighty) Real: HIV and AIDS, Queer Public Memories and the Intergenerational Drag Hail.- 6. Marc Arthur: AIDS Memorialisation: A Bil#`