Voices of the Fugitives: Runaway Slave Stories and Their Fictions of Self-Creation [Paperback]

African American fugitive slave narratives are receiving growing amounts of attention for their literary and historical value. This book examines the techniques the slave narrative writers used to authorize and rhetorically create themselves in their writings. By examining such issues as voice and identity formation, the volume demonstrates how identity may be seen as a cultural fabrication. Former slave narrators used a series of masking and doubling techniques to address their experiences as African Americans. This book crosses the boundaries between literary criticism and historical study by examining the tensions between generic conventions and the impulses that created and reinforced them.

The introduction and opening chapter offer clear and accessible discussions of the social, political, cultural, and literary conditions influencing the slave narrative genre. Subsequent chapters are built on this theoretical framework and present close analytical readings ofThe Confessions of Nat Turner,Frederick Douglass'sNarrativeandMy Bondage and My Freedom,Harriet Jacobs'sIncidents in the Life of a Slave Girl,andRunning a Thousand Miles for Freedom,by William and Ellen Craft. The volume probingly traces the relationship between rhetorical self-creation and social ideology to show how that relationship was mediated within the fugitive slave narrative genre.

Preface
Reading in the Breach
The Call: The Literary and Cultural Landscape
Let the World Dream Otherwise: The Literary Masks of Fugitive Slave Stories
Dismantling the Master's House: The Cultural Context
&and the Response: Speaking for Themselves
Behold a Man Transformed : Sacred Language and the Secular Self in Frederick Douglass's Narrative
Authority, Power, and Determination of the Will: The Dilemma of Rhetorical Ownership in Frederick Douglass's Mlí