This powerful collection of Yusef Komunyakaa's poetry delves, with his characteristic allusiveness, intelligence, and intensity, into an age of war and conflict, both global and internal, racial and sexual. Sweetheart, was I talking war in my sleep / again? he asks, and the question is hardly moot: Sometimes I hold you like Achilles' / shield, and indeed all relationships, in this telling, are sites of violence and battle. His line is longer and looser than in
Tabooor
Talking Dirty to the Gods, and in long poems like Autobiography of My Alter Ego he sounds almost breathless, an exhausted but desperate prophet. With the leaps and improvisational flourishes of a jazz soloist, Komunyakaa imagines the old masters of Shock & Awe daydreaming of lovely Penelope / like a trophy.
Warhorsesis the stunning work of a Pulitzer Prize-winning poet who never ceases to challenge and delight his readers.
Yusef Komunyakaa's twelve books of poems includeTaboo(FSG, 2004) andNeon Vernacular: New and Selected Poems, for which he received the Pulitzer Prize. He teaches at Princeton University.
[Komunyakaa] call[s] to mind Emily Dickinson and Walt Whitman-- the private gaze and the civic drum, purifying language, purifying history. Darryl Lorenzo Wellington, The Washington Post Book World
Verses that practically sizzle and spark with intelligence . . . Komunyakaa thinks like a scholar and writes like a jazz musician. His poems wail and swing to the backbeat of African-American history, dropping knowledge with a wink and a nod to let you know, yes, this man knows a thing or two about what he's talking about. John Freeman, The Philadelphia Inquirer
Yusef Komunyakaa is . . . one of our period's most significant and individual voices . . . He has a near-revelatory capacity to give himself over to his subject matter and to the taut concision of his free verse . . . Dazzling. David Wojahn, Poetry