Western Theatre in Global Contexts explores the junctures, tensions, and discoveries that occur when teaching Western theatrical practices or directing English-language plays in countries that do not share Western theatre histories or in which English is the non-dominant language.
This edited volume examines pedagogical discoveries and teaching methods, how to produce specific plays and musicals, and how students who explore Western practices in non-Western places contribute to the art form. Offering on-the-ground perspectives of teaching and working outside of North American and Europe, the book analyzes the importance of paying attention to the local context when developing theatrical practice and education. It also explores how educators and artists who make deep connections in the local culture can facilitate ethical accessibility to Western models of performance for students, practitioners and audiences.
Western Theatre in Global Contexts is an excellent resource for scholars, artists, and teachers that are working abroad or on intercultural projects in theatre, education and the arts.
Section 1: Global Flows: Western Theatre in International Contexts
1. An Introduction to Western Theatre in Global Contexts
Jillian Campana and Yasmine Jahanmir
2. Similarities and Differences in Teaching Western Based Theatre in China and the Arab World
Marvin Carlson
Section 2: International Stages: Western Theatre in Performance
3. Lysistrata in Cairo: maintaining values while extending the limit
Jillian Campana
4. Laxmi Bai got Drunk at Malinis Dinner and Venturewell became an Underwear Baronl-