Whither Class?: The Event of Literature in Revolutionary and Postrevolutionary China [Hardcover]

This book argues that the revolutionary, anti-revolutionary, counter-revolutionary, and post-revolutionary dialectics in modern Chinese history since the early-20th century characterizes modern and contemporary Chinese literature the most.  Central to these dialectics are issues of class.  The book contends that one cannot fully understand modern and contemporary Chinese literature without understanding the class character of Chinese revolutionary and counter-revolutionary struggles, including literary practices and their various contradictions.  Considering literature via the notion of the event and focusing on three specific historical junctures, this project explores how, as a major cultural form, literature has played an outsize role in Chinas struggle for liberation and quest for modernity.  It highlights the need to understand class and the extent to which it shapes literary and artistic forms and expressions as well as the on-going debates over the relationship between politics and aesthetics. 

1. Introduction.- Part I. Quest for Revolutionary Modernity: Literature, Class, and the Challenges in the Making of a New People, 1910s-1940s.- 2. National Character, the Question of Class, and Lu Xuns Fiction.- 3. Pen as Javelin: Zawen and Lu Xuns Language of Class.- 4. From Slumbering Masses to Revolutionary Masses: Challenges in the Making of Revolutionary Literature.- Part II. Shifting Class Implications: Literature, Return of the Repressed, and the Question of the People, late 1970s and early 1980s.- 5. Debating Chinese Revolutionary Literature: From Cold War to the Age of Postrevolution.- 6. The Event of New Era Literature and Shifting Class Implications.- 7. Gender-Class Dialectics in the Rise of New Era Womens Writing and the Return of Ding Ling.- Part III. Intol#—