Examines Anglo-Jewish and Christian women poets, and the connections between the discourses of nineteenth-century poetry, gender and religious identity.Victorian women poets lived in a time when religion was a vital aspect of their identities. Cynthia Scheinberg examines Anglo-Jewish (Grace Aguilar and Amy Levy) and Christian (Elizabeth Barrett Browning and Christina Rossetti) women poets, and argues that there are important connections between the discourses of nineteenth-century poetry, gender and religious identity. Broadly interdisciplinary, the book's methodology calls on studies in poetics, religious studies, feminist literary criticism, and little read Anglo-Jewish primary sources.Victorian women poets lived in a time when religion was a vital aspect of their identities. Cynthia Scheinberg examines Anglo-Jewish (Grace Aguilar and Amy Levy) and Christian (Elizabeth Barrett Browning and Christina Rossetti) women poets, and argues that there are important connections between the discourses of nineteenth-century poetry, gender and religious identity. Broadly interdisciplinary, the book's methodology calls on studies in poetics, religious studies, feminist literary criticism, and little read Anglo-Jewish primary sources.Victorian women poets lived in a time when religion was a vital aspect of their identities. Cynthia Scheinberg examines Anglo-Jewish (Grace Aguilar and Amy Levy) and Christian (Elizabeth Barrett Browning and Christina Rossetti) women poets, and argues that there are important connections between the discourses of nineteenth-century poetry, gender and religious identity. Broadly interdisciplinary, the book's methodology relates to studies in poetics, religious studies, feminist literary criticism, and little-known Anglo-Jewish primary sources.Acknowledgements; 1. Introduction; 2. 'Sweet singers of Israel': gendered and Jewish otherness in Victorian poetics; 3. Elizabeth Barrett Browning and the 'Hebraic monster'; 4. Christina Rossetti and the Hebrailƒ!