Walter Benjamins famous Work of Art essay sets out his boldest thoughtson media and on culture in generalin their most realized form, while retaining an edge that gets under the skin of everyone who reads it. In this essay the visual arts of the machine age morph into literature and theory and then back again to images, gestures, and thought.
This essay, however, is only the beginning of a vast collection of writings that the editors have assembled to demonstrate what was revolutionary about Benjamins explorations on media. Long before Marshall McLuhan, Benjamin saw that the way a bullet rips into its victim is exactly the way a movie or pop song lodges in the soul.
This book contains the second, and most daring, of the four versions of the Work of Art essaythe one that addresses the utopian developments of the modern media. The collection tracks Benjamins observations on the media as they are revealed in essays on the production and reception of art; on film, radio, and photography; and on the modern transformations of literature and painting. The volume contains some of Benjamins best-known work alongside fascinating, little-known essayssome appearing for the first time in English. In the context of his passionate engagement with questions of aesthetics, the scope of Benjamins media theory can be fully appreciated.
Until recently, Walter Benjamins seminal essay, The Work of Art in the Age of Its Technological Reproducibility, was available to English-speaking readers only in the version that appeared in the 1968 collection Illuminations. Harvards new volume of the German cultural critics writings on media offers as its title-piece an earlier, edgier incarnationthe second of three composed between 1935 and 1939in a superior translation& Throughout The Work of Art in the Age of Its Technological Reproducibility, Benjamins startling, often oblique language reveals his subjects from unexpected angles& This volume amply demonstratl33