This volume provides a fresh examination of Rear Window from a variety of perspectives.A perfect example of Hollywood cinema at its best, Rear Window is an engaging piece of entertainment as well as a fascinating meditation on the nature of the film itself. The film's narrative becomes the vehicle for Hitchcock's exploration of the basic ingredients of cinema, from voyeurism and dreamlike fantasy, to the process of narration itself. This volume provides a fresh analysis of Rear Window, which is examined from a variety of perspectives in a series of new essays published here for the first time.A perfect example of Hollywood cinema at its best, Rear Window is an engaging piece of entertainment as well as a fascinating meditation on the nature of the film itself. The film's narrative becomes the vehicle for Hitchcock's exploration of the basic ingredients of cinema, from voyeurism and dreamlike fantasy, to the process of narration itself. This volume provides a fresh analysis of Rear Window, which is examined from a variety of perspectives in a series of new essays published here for the first time.Alfred Hitchcock's Rear Window is one of the icons of American filmmaking. A perfect example of Hollywood cinema at its best, it is an engaging piece of entertainment as well as a fascinating meditation on the nature of the film itself. A suspense thriller about a chair-bound observer who suspects his neighbor of murdering his wife, the narrative becomes the vehicle for Hitchcock's exploration of the basic ingredients of cinema, from voyeurism and dreamlike fantasy, to the process of narration itself. This volume provides a fresh analysis of Rear Window, which is examined from a variety of perspectives in a series of essays published here for the first time.Introduction John Belton; 1. The making of Rear Window Scott Curtis; 2. Voyeurism and the post-war crisis of masculinity in Rear Window Elise Lemire; 3. 'The dresses had told me': fashion and femininity in Rear WlC(