In Flowers for Algernon, Daniel Keyes created an unlikely duo-a laboratory mouse and a man-who captured the hearts of millions of readers around the world. Now, in Algernon, Charlie, and I, Keyes reveals his methods of creating fiction as well as the heartbreaks and joys of being published. With admirable insight he shares with readers, writers, teachers, and students the creative life behind his classic novel, included here in its original short-story form.
All those who love stories, storytelling, and the remarkable characters of Charlie and Algernon will delight in accompanying their creator on this inspirational voyage of discovery.
PRAISE FORALGERNON, CHARLIE, AND I
A fascinating and highly engaging look at the creative process and development of an author . . . An insightful first-person account of the difficulties and joys of the writing life, [and] one of the most useful writers' manuals to be published in a long time. -School Library Journal
MY WRITING CELLAR
I NEVER THOUGHT it would happen to me.
When I was very young and very nearsighted-20/400 vision, everything blurred without my eyeglasses-I believed that someday I'd go blind. So I planned ahead. I strove to be neat, a place for everything and everything in its place. I blindfolded myself and practiced retrieving things without seeing, and I was proud that I could find anything quickly in the dark.
I didn't go blind. In fact, with eyeglasses my vision is excellent.
I can still put my hands on most things I possess. Not because I remember where I put them, but because I take the time to put them away carefully, in logical places. I just have to remember where they belong. What's happening to me is something I never considered. I start out to do something, go somewhere, walk into another room to get something, but then I have to pause. What am I looking for? Then it quickly clicks into place. It's momentary but frightening. Al{