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American Cinema and the Southern Imaginary [Paperback]

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  • Category: Books (Literary Criticism)
  • ISBN-10:  0820337102
  • ISBN-10:  0820337102
  • ISBN-13:  9780820337104
  • ISBN-13:  9780820337104
  • Publisher:  University of Georgia Press
  • Publisher:  University of Georgia Press
  • Pages:  384
  • Pages:  384
  • Binding:  Paperback
  • Binding:  Paperback
  • Pub Date:  01-May-2011
  • Pub Date:  01-May-2011
  • SKU:  0820337102-11-MPOD
  • SKU:  0820337102-11-MPOD
  • Item ID: 100157645
  • Seller: ShopSpell
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  • Delivery by: Jul 09 to Jul 11
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Deborah Barker (Editor)
DEBORAH BARKER is an associate professor of English at the University of Mississippi. She is the author of Aesthetics and Gender in American Literature: The Portrait of the Woman Artist and coeditor of Shakespeare and Gender: A History.

Kathryn McKee (Editor)
KATHRYN McKEE is the McMullan Associate Professor of Southern Studies and English at the University of Mississippi. She has published in a range of journals, including American Literature, Legacy, Mississippi Quarterly, and Southern Literary Journal.

Employing innovations in media studies, southern cultural studies, and approaches to the global South, this collection of essays examines aspects of the southern imaginary in American cinema and offers fresh insight into the evolving field of southern film studies.

In their introduction, Deborah Barker and Kathryn McKee argue that the southern imaginary in film is not contained by the boundaries of geography and genre; it is not an offshoot or subgenre of mainstream American film but is integral to the history and the development of American cinema.

Ranging from the silent era to the present and considering Hollywood movies, documentaries, and independent films, the contributors incorporate the latest scholarship in a range of disciplines. The volume is divided into three sections: “Rereading the South” uses new critical perspectives to reassess classic Hollywood films; “Viewing the Civil Rights South” examines changing approaches to viewing race and class in the post–civil rights era; and “Crossing Borders” considers the influence of postmodernism, postcolonialism, and media studies on recent southern films.

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