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An Artist against the Third Reich Ernst Barlach, 1933}}}1938 [Hardcover]

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  • Category: Books (Biography & Autobiography)
  • Author:  Paret, Peter
  • Author:  Paret, Peter
  • ISBN-10:  052182138X
  • ISBN-10:  052182138X
  • ISBN-13:  9780521821384
  • ISBN-13:  9780521821384
  • Publisher:  Cambridge University Press
  • Publisher:  Cambridge University Press
  • Pages:  246
  • Pages:  246
  • Binding:  Hardcover
  • Binding:  Hardcover
  • Pub Date:  01-May-2003
  • Pub Date:  01-May-2003
  • SKU:  052182138X-11-MPOD
  • SKU:  052182138X-11-MPOD
  • Item ID: 100158145
  • Seller: ShopSpell
  • Ships in: 2 business days
  • Transit time: Up to 5 business days
  • Delivery by: Jul 09 to Jul 11
  • Notes: Brand New Book. Order Now.
The conflict between National Socialism and the sculptor Ernst Barlach, and the ideological battle involved.The conflict between National Socialism and Ernst Barlach, one of the important sculptors of the twentieth century, is an unusual episode in the history of Hitler's efforts to rid Germany of 'international modernism'. Barlach did not passively accept the destruction of his sculptures. He protested the injustice, and continued his work. The author's discussion of Barlach's art and struggle over creative freedom, are joined to an analysis of Barlach's opponents. Peter Paret's fine study of an artist in a time of crisis seamlessly combines the history of modern Germany and the history of modern art.The conflict between National Socialism and Ernst Barlach, one of the important sculptors of the twentieth century, is an unusual episode in the history of Hitler's efforts to rid Germany of 'international modernism'. Barlach did not passively accept the destruction of his sculptures. He protested the injustice, and continued his work. The author's discussion of Barlach's art and struggle over creative freedom, are joined to an analysis of Barlach's opponents. Peter Paret's fine study of an artist in a time of crisis seamlessly combines the history of modern Germany and the history of modern art.The conflict between National Socialism and Ernst Barlach, one of the important sculptors of the twentieth century, is an unusual episode in the history of Hitler's efforts to rid Germany of 'international modernism.' Barlach did not passively accept the destruction of his sculptures, but protested the injustice, and continued his work. Peter Paret's discussion of Barlach's art and struggle over creative freedom, is joined to an analysis of Barlach's opponents. Hitler's rejection of modernism, often dismissed as absurd ranting, is instead interpreted as a internally consistent and politically effective critique of liberal Western culture. That some radical national lc{
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