This volume presents a collection of interdisciplinary collaborations between contemporary art, heritage, anthropological, and archaeological practitioners. Departing from the proceedings of the Sixth World Archaeological Congresss Archaeologies of Art theme and ?bhar agus Meon exhibitions, it includes papers by seminal figures as well as experimental work by those who are exploring the application of artistic methods and theory to the practice of archaeology. Art and archaeology: collaborations, conversations, criticisms encourages the creative interplay of various approaches to art and archaeology so these new modes of expression can contribute to how we understand the world. Established topics such as cave art, monumental architecture and land art will be discussed alongside contemporary video art, performance art and relational arts practices. Here, the parallel roles of artists as makers of new worlds and archaeologists as makers of pasts worlds are brought together to understand the influences of human creativity.
This book details collaborations between contemporary art, heritage, anthropologica, and archaeological practitioners, exploring the creative interplay of art and archaeology so new modes of expression can build new understanding of the world.
The Editors have compiled a volume of 15 papers that aim to identify the commonalities between art and archaeology, demonstrate the ways that archaeologists can learn from the practice of visual arts and provide successful examples of these synergies. & The case studies described demonstrate that contemporary arts practices have created new and enriched ways of perceiving material remains and have provided new interpretive models that archaeologists can use to explain the past. (June Ross, Australian Archaeology, Vol. 80, June, 2015)
Ian Alden Russell is a curator, designer, and academic based in Istanbul, Turkey. He is an assistant professor of contemporary art alĂ-