In this richly argued and provocative book, David Davies elaborates and defends a broad conceptual framework for thinking about the arts that reveals important continuities and discontinuities between traditional and modern art, and between different artistic disciplines.
- Elaborates and defends a broad conceptual framework for thinking about the arts.
- Offers a provocative view about the kinds of things that artworks are and how they are to be understood.
- Reveals important continuities and discontinuities between traditional and modern art.
- Highlights core topics in aesthetics and art theory, including traditional theories about the nature of art, aesthetic appreciation, artistic intentions, performance, and artistic meaning.
Preface.
1. Introduction:.
Challenges to Aesthetic Empiricism.
Methodological Interlude: The ‘Pragmatic Constraint’ on the Ontology of Art.
Aesthetic Empiricism and the Philosophy of Art.
2. Aesthetic Empiricism:.
Indirect Arguments Against Aesthetic Empiricism.
3. The Fine Structure of the Focus of Appreciation:.
The Structure of the Focus of Appreciation.
4. The Artwork as Performance: An Argument from Artistic Intentions:.
Overview.
The Bearing of Provenance on Work and Focus.
Artistic Intentions and the Ontology of Art.
Interpretation and Intention.
A Role for Actual Intentions.
Ontological Implications.
Conclusions.
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