Explores the emergence of the romance in the twelfth century.Up to the twelfth century writing in the western vernaculars dealt almost exclusively with religious, historical and factual themes, all of which were held to convey the truth. The second half of the twelfth century saw the emergence of a new genre, the romance, which was consciously conceived as fictional and therefore allowed largely to break free from traditional presuppositions. Dennis Green explores how and why this happened, and examines this period of crucial importance for the birth of the romance and the genesis of medieval fiction in the vernacular.Up to the twelfth century writing in the western vernaculars dealt almost exclusively with religious, historical and factual themes, all of which were held to convey the truth. The second half of the twelfth century saw the emergence of a new genre, the romance, which was consciously conceived as fictional and therefore allowed largely to break free from traditional presuppositions. Dennis Green explores how and why this happened, and examines this period of crucial importance for the birth of the romance and the genesis of medieval fiction in the vernacular.Up to the twelfth century, writing in the western vernaculars dealt almost exclusively with religious, historical and factual themes, all of which were understood to convey the truth. The second half of the twelfth century saw the emergence of a new genre--the romance--which was consciously conceived as fictional and therefore allowed to break free from traditional presuppositions. Green examines this period of crucial importance for the romance genre and for the genesis of medieval fiction.Preface; List of abbreviations; 1. Defining twelfth-century fictionality; 2. Vernacular fiction in the twelfth century; 3. Fictive orality; 4. Fiction and Wolfram's Parzival; 5. Fiction and structure; 6. Fiction and history; Notes; Bibliography; Index of names.'Green's is a comparative, pan-European approach nevlă+