At turns autobiographical, political, literary, erotic, and humorous, Black Gay Man will spoil our preconceived notions of not only what it means to be black, gay and male but also what it means to be a contemporary intellectual. Both a celebration of black gay male identity as well as a powerful critique of the structures that allow for the production of that identity, Black Gay Man introduces the eloquent new voice of Robert Reid-Pharr in cultural criticism.
At once erudite and readable, the range of topics and positions taken up in Black Gay Man reflect the complexity of American life itself. Treating subjects as diverse as the Million Man March, interracial sex, anti-Semitism, turn of the century American intellectualism as well as literary and cultural figures ranging from Essex Hemphill and Audre Lorde to W.E.B. DuBois, Frantz Fanon and James Baldwin, Black Gay Man is a bold and nuanced attempt to question prevailing ideas about community, desire, politics and culture. Moving beyond critique, Reid-Pharr also pronounces upon the promises of a new America. With the publication of Black Gay Man, Robert Reid-Pharr is sure to take his place as one of this country's most exciting and challenging left intellectuals.
Repeated readings are richly rewarded. Startling and provocative. . . . Reid-Pharr presents a cogent analysis that combines the personal with the political, the intellectual with the emotional and the erotic. . . . Reid-Pharr's ability to move these works-and their themes-from the limited analysis of the academy into a broader realm of lived experience and social context that makes them, as well as Reid-Pharr's own thoughts, vital and genuinely consequential. A wonderful thing of work and play, feeling and thought, that moves through my brain as though I needed to be reminded of why I chose life as an intellectual. Reading Black Gay Man I realized once again that we all do indeed need to be reminded that to think, write, and read about identlƒ»