This guide to the orchestra and orchestral life is unique in its breadth of coverage.This guide to the orchestra and orchestral life is unique in its breadth of coverage. It combinesorchestral history and repertory with a practical bias offering critical thought about the past, present and future of the orchestra. Including topics such as the art of orchestration, scorereading, conducting, international orchestras, recording, as well as consideration of what it means to be an orchestral musician, an educator, or an informed listener, it will be of interest to a wideranging readership of music historians and professional or amateur performers.This guide to the orchestra and orchestral life is unique in its breadth of coverage. It combinesorchestral history and repertory with a practical bias offering critical thought about the past, present and future of the orchestra. Including topics such as the art of orchestration, scorereading, conducting, international orchestras, recording, as well as consideration of what it means to be an orchestral musician, an educator, or an informed listener, it will be of interest to a wideranging readership of music historians and professional or amateur performers.This guide to the orchestra and orchestral life combines orchestral repertory history with critical thought. It includes topics such as the art of orchestration, scorereading, conducting, international orchestras, recording, and becoming an orchestral musician, educator or informed listener.1. The history of the orchestra Tim Carter and Erik Levi; 2. The development of musical instruments Robert Barclay; 3. The orchestral repertory Peter Laki; 4. From notation to sound Richard Rastall; 5. The art of orchestration Julian Rushton; 6. The history of direction and conducting Jeremy Siepman; 7. International case studies Jon Tolanski; 8. The revival of historical instruments Colin Lawson; 9. Recording the orchestra John Rushby-Smith; 10. Training the orchestral musician Simon Chals8