A stimulating introduction to the drama of the early modern era, through a focus on commercial playhouses and their repertoires.Engaging and stimulating, this Introduction provides a fresh vista of the theatrical landscape in the early modern era. Through special focus on commercial playhouses and their repertoires, the book revisits familiar territory from different angles and opens up new areas of investigation alongside the canonical and the known.Engaging and stimulating, this Introduction provides a fresh vista of the theatrical landscape in the early modern era. Through special focus on commercial playhouses and their repertoires, the book revisits familiar territory from different angles and opens up new areas of investigation alongside the canonical and the known.Engaging and stimulating, this Introduction provides a fresh vista of the early modern theatrical landscape. Chapters are arranged according to key genres (tragedy, revenge, satire, history play, pastoral and city comedy), punctuated by a series of focused case studies on topics ranging from repertoire to performance style, political events to the physical body of the actor, and from plays in print to the space of the playhouse. Julie Sanders encourages readers to engage with particular dramatic moments, such as opening scenes, skulls on stage or the conventions of disguise, and to apply the materials and methods contained in the book in inventive ways. A timeline and frequent cross-references provide continuity. Always alert to the possibilities of performance, Sanders reveals the remarkable story of early modern drama not through individual writers, but through repertoires and company practices, helping to relocate and re-imagine canonical plays and playwrights.Preface. An outline of approaches taken; Introduction: brick, lime, sand, plaster over lath, and 'new oaken boards': the early modern playhouse; Case study A. Richard III at the Globe; Case study B. An outdoor theatre repertoire: the Rose olă7