The Catholic Side of Henry James reveals the profound Catholic imagery in the work of Henry James.The Catholic Side of Henry James reveals the profound Catholic imagery in the work of Henry James. Edwin Fussell questions conventional critical assumptions about James' secularity and shows that James' career began with narratives of Catholic conversion and ended with his masterpiece of Catholic eccentricity and alienation, The Golden Bowl.The Catholic Side of Henry James reveals the profound Catholic imagery in the work of Henry James. Edwin Fussell questions conventional critical assumptions about James' secularity and shows that James' career began with narratives of Catholic conversion and ended with his masterpiece of Catholic eccentricity and alienation, The Golden Bowl.The Catholic Side of Henry James is the first to reveal the profound Catholic imagery in James' work. Edwin Fussell argues that Henry James, though not a card-carrying Catholic, was a fellow-traveling Catholic of a certain literary type. Fussell is not trying to turn James into a Closet Catholic but is, rather, intent on questioning conventional critical assumptions about James' unquestioned secularity. He contends that the writer's career began with narratives of Catholic conversion and ended with his masterpiece of Catholic eccentricity and alienation, The Golden Bowl. With an enormously detailed knowledge of James' novels, tales, letters, and journals, Fussell convincingly demonstrates the extent of the writer's involvement with the ideas of Catholicism.Preface; Calendar: chief items of Catholic interest in Henry James; Documentation; Part I. Bibliographical Leads, Historical Considerations; Part II. Representing Catholicity: 1. The Protestant base; 2. Liberalism; 3. The picturesque; 4. The question of religious audience; 5. Sacred seculars in the tales; 6. Sacred seculars: novel, letter, and notebook; 7. Death and literary form; Part III. The Narratives of Catholic Conversion: 1. Watch anlƒA