This book renews thinking about the moving body by drawing on dance practice and performance from across the world. Eighteen internationally recognised scholars show how dance can challenge our thoughts and feelings about our own and other cultures, our emotions and prejudices, and our sense of public and private space. In so doing, they offer a multi-layered response to ideas of affect and emotion, culture and politics, and ultimately, the place of dance and art itself within society.
The chapters in this collection arise from a number of different political and historical contexts. By teasing out their detail and situating dance within them, art is given a political charge. That charge is informed by the work of Michel Foucault, Stuart Hall, Gilles Deleuze, Jacques Derrida, Ranci?re and Luce Irigaray as well as their forebears such as Spinoza, Plato and Freud. Taken together, Choreography and Corporeality: RELAY in Motion puts thought into motion, without forgetting its origins in the social world.
This exciting new volume offers insights into an ongoing series of debates on corporeality. Featuring an international line-up of contributors and a mix of researchers, artists and critics, the collection addresses questions concerning the production and reproduction of dance, the contexts of kinaesthetic histories, and the relationships between choreographic and cultural forces.
Thomas F. DeFrantz is Professor and Chair of African and African American Studies at Duke University, USA, and director of SLIPPAGE: Performance, Culture, Technology, a research group that explores emerging technology in live performance applications. He co-convened the Choreography and Corporeality working group (IFTR) from 2005-2013. Other books: Dancing Many Drums: Excavations in African American Dance, Dancing Revelations: Alvin Ailey's Embodimenl“.