The poetry of Christina Rossetti is often described as 'gothic' and yet this term has rarely been examined in the specific case of Rossetti's work. Based on new readings of the full range of her writings, from 'Goblin Market' to the devotional poems and prose works, this book explores Rossetti's use of Gothic forms and images to consider her as a Gothic writer. Christina Rossetti's Gothic analyses the poet's use of the grotesque and the spectral and the Christian roots and Pre-Raphaelite influences of Rossetti's deployment of Gothic tropes.
Introduction
1. The Spectrality of Rossettian Gothic
2. Early Influences: Rossetti and the Gothic of Maturin
3. 'Goblin Market' and Gothic
4. Rossetti, Ruskin and the Moral Grotesque
5. Shadows of Heaven: Rossetti's Prose Works
Bibliography
Index
[Trowbridge] resists the tendency to read Rossetti through a biographical lens, or to reclaim her to a feminist poetics that requires the omission of her devotional works. Instead, gothic becomes a framework for understanding Rossetti's poetry, in the context of her literary influences and Tractarian faith ... [an] insightful monograph. Times Literary Supplement
This monograph succeeds in offering a genuinely fresh perspective on Christina Rossetti's work, making a persuasive case for viewing her as a Gothic writer . . . through a mix of careful close reading and wide-ranging contextual and theoretical research. The Pre-Raphaelite Society
Trowbridges book adds a tremendous amount simply in opening up the Gothic as an area of study for Rossetti. The connections she draws are persuasively established, clearly elaborated, and reframe not only Rossettis works but their religious heritage. Built on excellent research into Rossettis reading habits and inclinations from youth to maturity, as well as the aesthetic theories and critical attitudes that are likely to have influenced her writing, this study offers serious and fruitful lĂ(