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Cinema Anime Critical Engagements with Japanese Animation [Hardcover]

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  • Category: Books (Performing Arts)
  • ISBN-10:  1403970602
  • ISBN-10:  1403970602
  • ISBN-13:  9781403970602
  • ISBN-13:  9781403970602
  • Publisher:  Palgrave Macmillan
  • Publisher:  Palgrave Macmillan
  • Pages:  256
  • Pages:  256
  • Binding:  Hardcover
  • Binding:  Hardcover
  • Pub Date:  01-Mar-2006
  • Pub Date:  01-Mar-2006
  • SKU:  1403970602-11-SPRI
  • SKU:  1403970602-11-SPRI
  • Item ID: 100738433
  • List Price: $54.99
  • Seller: ShopSpell
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  • Delivery by: Jul 15 to Jul 17
  • Notes: Brand New Book. Order Now.
This collection charts the terrain of contemporary Japanese animation, one of the most explosive forms of visual culture to emerge at the crossroads of transnational cultural production in the last twenty-five years. The essays offer bold and insightful engagement with anim?'s concerns with gender identity, anxieties about body mutation and technological monstrosity, and apocalyptic fantasies of the end of history. The contributors dismantle the distinction between 'high' and 'low' culture and offer compelling arguments for the value and importance of the study of anim? and popular culture as a key link in the translation from the local to the global.Screening Anime - S.T. Brown Part I: Towards a Cultural Politics of Anime Excuse Me, Who Are You? : Performance, the Gaze, and the Female in the Works of Kon Satoshi - S.Napier The Americanization of Anime and Manga: Negotiating Popular Culture - A.Levi The Advent of Meguro Empress: Decoding the Avant-Pop Anime TAMALA 2010 - T.Takayuki Part II: Post-Human Bodies in the Animated Imaginary Frankenstein and the Cyborg Metropolis - S.Orbaugh Animated Bodies and Cybernetic Selves: The Animatrix and the Question of Post-Humanity - C.Silvio The Robots from Takkun's Head: Cyborg Adolescence in FLCL - B.Ruh Part III: Anime and the Limits of Cinema The First Time as Farce: Digital Animation and the Repetition of Cinema - T.Lamarre Such is the Contrivance of the Cinematograph Dur(anim)ation, Modernity, and Edo Culture in Tabaimo's Animated Installations - L.Monnet

Both cinema and animation have served simultaneously as transnational cultural forms as well as national forums, formed by specific discourses on nationalism and modernization. In fact, in the 1910s-20s Japan, animation was not defined as distinct from cinema in terms of social regulations or production concerns. Animation, together with cinema, came under the scrutiny of public educators, censors and national ideologues. The point of intersection for these dl3*

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