In this book, Caroline van Eck examines how rhetoric and the arts interacted in early modern Europe.In this book, Caroline van Eck examines how rhetoric and the arts interacted in early modern Europe. She argues that rhetoric, though originally developed for persuasive speech, has always used the visual as an important means of persuasion, and hence offers a number of strategies and concepts for visual persuasion as well.In this book, Caroline van Eck examines how rhetoric and the arts interacted in early modern Europe. She argues that rhetoric, though originally developed for persuasive speech, has always used the visual as an important means of persuasion, and hence offers a number of strategies and concepts for visual persuasion as well.In this book, Caroline van Eck examines how rhetoric and the arts interacted in early modern Europe. She argues that rhetoric, though originally developed for persuasive speech, has always used the visual as an important means of persuasion, and hence offers a number of strategies and concepts for visual persuasion as well. The book is divided into three major sections - theory, invention, and design. Van Eck analyzes how rhetoric informed artistic practice, theory, and perception in early modern Europe.Introduction: rhetoric and the visual; Part I. Theory: 1. Gesture, representation and persuasion in Alberti's De Pictura; 2. Theoretical foundations of persuasive architecture: Barbaro, Spini and Scamozzi; Part II. Invention: 3. How to achieve persuasion in painting: the common ground; 4. Visual persuasion in British architecture of the seventeenth and eighteenth centuries; Part III. Interpretation: 5. Rhetorical interpretation of the visual arts; 6. Only the human can speak to man: rhetorical interpretations of architecture. This important new study draws on well-selected examples to explore the concepts derived from classical rhetoric in the arts and architecture of early modern Europe (15th-18th centuries). American Joulă™