ShopSpell

Color Monitors The Black Face Of Technology In America [Paperback]

$46.99       (Free Shipping)
68 available
  • Category: Books (Social Science)
  • Author:  Martin Kevorkian
  • Author:  Martin Kevorkian
  • ISBN-10:  0801472784
  • ISBN-10:  0801472784
  • ISBN-13:  9780801472787
  • ISBN-13:  9780801472787
  • Publisher:  Cornell University Press
  • Publisher:  Cornell University Press
  • Pages:  224
  • Pages:  224
  • Binding:  Paperback
  • Binding:  Paperback
  • Pub Date:  01-Jun-2006
  • Pub Date:  01-Jun-2006
  • SKU:  0801472784-11-MPOD
  • SKU:  0801472784-11-MPOD
  • Item ID: 101392318
  • Seller: ShopSpell
  • Ships in: 2 business days
  • Transit time: Up to 5 business days
  • Delivery by: Apr 01 to Apr 03
  • Notes: Brand New Book. Order Now.
Color Monitors looks at a particular subset of imagined computer use, focusing on scenarios that demand from the person at the keyboard an intimate technical knowledge. My research has uncovered a peculiar pattern: race comes into sharp relief when computer use is depicted as difficult labor requiring special expertise. Time and again, in such scenarios, the helpful person of color is there to take the callto provide technical support, to deal with the machines. In interpreting such images, Color Monitors analyzes the computer-fearing strain in American whiteness, an aspect of white identity that defines itself against information technology and the racial other imagined to love it and excel at it. Martin KevorkianFollowing up on Ralph Ellison's intimation that blacks serve as the machines inside the machine, Color Monitors examines the designation of black bodies as natural machines for the information age. Martin Kevorkian shows how African Americans are consistently depicted as highly skilled, intelligent, and technologically savvy as they work to solve complex computer problems in popular movies, corporate advertising, and contemporary fiction. But is this progress? Or do such seemingly positive depictions have more disturbing implications? Kevorkian provocatively asserts that whites' historical fear of a black planet has in the age of microprocessing converged with a new fear of computers and the possibility that digital imperatives will engulf human creativity.Analyzing escapist fantasies from Mission: Impossible to Minority Report, Kevorkian argues that the placement of a black man in front of a computer screen doubly reassures audiences: he is nonthreatening, safely occupiedeven imprisonedby the very machine he attempts to control, an occupation that simultaneously frees the action heroes from any electronic headaches. The study concludes with some alternatives to this scheme, looking to a network of recent authors, with shared affinities for EllisonlÓ-
Add Review