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Comedy Acting for Theatre The Art and Craft of Performing in Comedies [Hardcover]

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  • Category: Books (Drama)
  • Author:  Homan, Sidney, Rhinehart, Brian
  • Author:  Homan, Sidney, Rhinehart, Brian
  • ISBN-10:  1350012769
  • ISBN-10:  1350012769
  • ISBN-13:  9781350012769
  • ISBN-13:  9781350012769
  • Publisher:  Methuen Drama
  • Publisher:  Methuen Drama
  • Pages:  208
  • Pages:  208
  • Binding:  Hardcover
  • Binding:  Hardcover
  • Pub Date:  01-Jul-2018
  • Pub Date:  01-Jul-2018
  • SKU:  1350012769-11-MPOD
  • SKU:  1350012769-11-MPOD
  • Item ID: 101223379
  • Seller: ShopSpell
  • Ships in: 2 business days
  • Transit time: Up to 5 business days
  • Delivery by: Jul 09 to Jul 11
  • Notes: Brand New Book. Order Now.

Analysing why we laugh and what we laugh at, and describing how performers can elicit this response from their audience, this book enables actors to create memorable  and hilarious  performances.
Rooted in performance and performance criticism, Sidney Homan and Brian Rhinehart provide a detailed explanation of how comedy works, along with advice on how to communicate comedy from the point of view of both the performer and the audience. Combining theory and performance, the authors analyse a variety of plays, both modern and classic. Playwrights featured include Harold Pinter, Tom Stoppard, Christopher Durang, and Michael Frayn. Acting in Shakespeare's comedies is also covered in depth.

Sidney Homanis Professor of English at the University of Florida, USA, a member of the Academy of Distinguished Teaching Scholars and an actor and director in traditional and non-traditional theatres. The author of eleven books on Shakespeare and the modern theatre, his most recent books areThe Audience As Player: Interactive Theatre Over the YearsandHitler in the Movies: Finding Der F?hrer on Film.

Brian Rhinehartis an actor, director and Lecturer of Directing and Theatre History at The Actors Studio Drama School, Pace University, USA. He is Artistic Director of a theatre collective, Dog's Breakfast, and was awarded a 201213 Fulbright Grant to developDispersal: A Gentrification Story. He directed the award-winningButoh Medeaon Theatre Row in Manhattan, which also had productions in Warsaw and Edinburgh. He has performed in over fifty productions in New York City, Germany, and Florida.

Chapter One:Playing the Comic Actor
Chapter Two:Comic Truth and Acting
Chapter Three:Energy and Intensity
Chapter Four:Elements of Comedy for Audience and Actor
Chapter Five:Playing the Whole Comedy
Chapter Six:All's Well That . . .
Chapter Seven:Why We Laugh
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