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Communication in Eighteenth-Century Music [Paperback]

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  • Category: Books (Music)
  • ISBN-10:  1107406951
  • ISBN-10:  1107406951
  • ISBN-13:  9781107406957
  • ISBN-13:  9781107406957
  • Publisher:  Cambridge University Press
  • Publisher:  Cambridge University Press
  • Pages:  356
  • Pages:  356
  • Binding:  Paperback
  • Binding:  Paperback
  • Pub Date:  01-May-2012
  • Pub Date:  01-May-2012
  • SKU:  1107406951-11-MPOD
  • SKU:  1107406951-11-MPOD
  • Item ID: 100742117
  • Seller: ShopSpell
  • Ships in: 2 business days
  • Transit time: Up to 5 business days
  • Delivery by: Jul 10 to Jul 12
  • Notes: Brand New Book. Order Now.
In this book, ten leading scholars of music explore the nature of musical communication in the eighteenth century.This diverse collection of essays by ten leading scholars of music explores the nature of musical communication in the eighteenth century. Among the issues considered are the dynamics of trade in musical and literary works, the nature of audiences at this time, and a variety of compositional strategies.This diverse collection of essays by ten leading scholars of music explores the nature of musical communication in the eighteenth century. Among the issues considered are the dynamics of trade in musical and literary works, the nature of audiences at this time, and a variety of compositional strategies.Written by ten leading scholars, this volume assembles studies of eighteenth- and early nineteenth-century music under the broad rubric of communication. That such an impulse motivates musical composition and performance in this period of European musical history is often acknowledged but seldom examined in depth. The book explores a broad set of issues, ranging from the exigencies of the market for books and music in the eighteenth century through to the deployment of dance topoi in musical composition. A number of close readings of individual works by Mozart, Haydn and Beethoven draw on a sophisticated body of historically-appropriate technical resources to illuminate theories of form, metre, bass lines and dance topoi. Students and scholars of music history, theory and analysis will find in this volume a set of challenging, state-of-the-art essays that will stimulate debate about musical meaning and engender further study.Foreword Danuta Mirka; Part I. Communication and the Market: 1. Communication and verisimilitude in the eighteenth century Paul Cobley; 2. Listening to listeners Mark Evan Bonds; 3. 'Mannichfaltige abweichungen von der gew?hnlichen sonaten-form': Beethoven's 'Piano-Solo' op. 31 no. 1 and the challenge of communication Claudia Maurer Zencl#$
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