A Companion to Medieval Art brings together cutting-edge scholarship devoted to the Romanesque and Gothic traditions in Northern Europe.
- Brings together cutting-edge scholarship devoted to the Romanesque and Gothic traditions in Northern Europe.
- Contains over 30 original theoretical, historical, and historiographic essays by renowned and emergent scholars.
- Covers the vibrancy of medieval art from both thematic and sub-disciplinary perspectives.
- Features an international and ambitious range - from reception, Gregory the Great, collecting, and pilgrimage art, to gender, patronage, the marginal, spolia, and manuscript illumination.
List of Illustrations viii
Notes on Contributors xiii
Series Editor’s Preface xix
Preface xx
1 Introduction: A Sense of Loss: An Overview of the Historiography of Romanesque and Gothic Art 1
Conrad Rudolph
2 Vision 44
Cynthia Hahn
3 Reception of Images by Medieval Viewers 65
Madeline Harrison Caviness
4 Narrative 86
Suzanne Lewis
5 Formalism 106
Linda Seidel
6 Gender and Medieval Art 128
Brigitte Kurmann-Schwarz
7 Gregory the Great and Image Theory in Northern Europe during the Twelfth and Thirteenth Centuries 151
Herbert L. Kessler
8 Art and Exegesis 173
Christopher G. Hughes
9 Whodunnit? Patronage, the Canon, and the Problematics of Agency in Romanesque and Gothic Art 193
Jill Caskey
10 Collecting (lk