A Companion to Shakespeare and Performance provides a state-of-the-art engagement with the rapidly developing field of Shakespeare performance studies.
- Redraws the boundaries of Shakespeare performance studies.
- Considers performance in a range of media, including in print, in the classroom, in the theatre, in film, on television and video, in multimedia and digital forms.
- Introduces important terms and contemporary areas of enquiry in Shakespeare and performance.
- Raises questions about the dynamic interplay between Shakespearean writing and the practices of contemporary performance and performance studies.
- Written by an international group of major scholars, teachers, and professional theatre makers.
List of Illustrations ix
Notes on Contributors xi
Acknowledgments xvi
Introduction: A Kind of History 1
Barbara Hodgdon
Part I Overviews: Terms of Performance 11
1 Reconstructing Love: King Lear and Theatre Architecture 13
Peggy Phelan
2 Shakespeare’s Two Bodies 36
Peter Holland
3 Ragging Twelfth Night: 1602, 1996, 2002–3 57
Bruce R. Smith
4 On Location 79
Robert Shaughnessy
5 Where is Hamlet? Texl}