In the pre-Code Hollywood era, between 1929 and 1934, women in American cinema took lovers, had babies out of wedlock, got rid of cheating husbands, enjoyed their sexuality, led unapologetic careers, and, in general, acted the way many think women only acted after 1968.
Before then, women on screen had come in two varieties-sweet ingenue or vamp. Then two stars came along: Greta Garbo, who turned the femme fatale into a woman whose capacity for love and sacrifice made all other human emotions seem pale; and Norma Shearer, who succeeded in taking the ingenue to a place she'd never been: the bedroom. In their wake came a deluge of other complicated women-Marlene Dietrich, Jean Harlow, and Mae West, to name a few. Then, in July 1934, the draconian Production Code became the law in Hollywood and these modern women of the screen were banished, not to be seen again until the code was repealed three decades later.
A thorough survey and a tribute to these films,Complicated Womenreveals how this was the true Golden Age of women's films.
LaSalle's marvelous Complicated Women is the best kind of film book, making us see with fresh eyes the women of pre-Code Hollywood, a truly revolutionary lot by any standards. LaSalle wittily and insightfully celebrates the multiform 'New Woman' of the late '20s and early '30s. The author does a persuasive job of reminding us of the contribution of lesser-known stars while rescuing the much-maligned Norma Shearer from her gilded cage as MGM's plastic princess and restoring her to her rightful place as a breathtakingly risky (and risqu?) sensualist with plenty of career savvy. Bravo! Molly Haskell, author of From Reverence to Rape: The Treatment of Women in the Movies
Mick LaSalle's Complicated Women isn't just a great title for life, it's an eye-opening examination of pre-Code Hollywood that retrieves lost films and overlooked careers. It's also a delight to read and argue with. David Thompsonl#)