Conrad, Language, and Narrative [Paperback]

Michael Greaney examines the place of language and narrative in the writings of Joseph Conrad.In this re-evaluation of the writings of Joseph Conrad, Michael Greaney places language and narrative at the heart of his literary achievement. A trilingual Polish expatriate, Conrad brought a formidable linguistic self-consciousness to the English novel; tensions between speech and writing are the defining obsessions of his career. Greaney offers an examination of a wide range of Conrad's work which combines recent critical approaches to language in post-structuralism with an impressive command of linguistic theory.In this re-evaluation of the writings of Joseph Conrad, Michael Greaney places language and narrative at the heart of his literary achievement. A trilingual Polish expatriate, Conrad brought a formidable linguistic self-consciousness to the English novel; tensions between speech and writing are the defining obsessions of his career. Greaney offers an examination of a wide range of Conrad's work which combines recent critical approaches to language in post-structuralism with an impressive command of linguistic theory.In this re-evaluation of the writings of Joseph Conrad, Michael Greaney places language and narrative at the heart of his literary achievement. As a trilingual Polish expatriate, Conrad brought a formidable linguistic self-consciousness to the English novel and tensions between speech and writing are the defining obsessions of his career. Greaney examines a wide range of Conrad's work, combining recent critical approaches to language in post-structuralism with an impressive command of linguistic theory.Introduction; Part I. Speech communities: 1. 'The realm of living speech': Conrad and oral community; 2. 'Murder by language': 'Falk' and Victory; 3. 'Drawing-room voices': language and space in The Arrow of Gold; Part II. Marlow: 4. Modernist storytelling: 'Youth' and 'Heart of Darkness'; 5. The scandals of Lord Jim; 6. The gender of Chance; Part III.l³³