In recent years the left has transformed traditional approaches to literature and culture. Critical movements such as Cultural Materialism and New Historicism have succeeded to the point where they now constitute the new academic order.
Scott Wilson explains and demonstrates the power of these modes of critical enquiry and explores their limitations. His book provides a forceful critical engagement with major figures in the field - Francis Barker, Catherine Belsey, Jonathan Dollimore, Terry Eagleton, Jonathan Goldberg, Stephen Greenblatt, Alan Sinfield. He also shows how cultural materialism is applied in practicePreface.
Part One: Cultural Materialism:.
1. Introduction.
2. Culture and Materialism.
3. Stephen Greenblatt and New Historicism.
Part Two: Value:.
4. Shakespeare.
5. Usure in The Merchant of Venice.
Part Three: History:.
6. The Four Fundamental Discourses of History.
7. Enjoying the Nature of Britain in King Lear.
8. General Economy and The Changeling.
Part Four: Community:.
9. The Utopian Orgy.
10. Queer Gifts.
11. Oscar Wilde and the Love of the Impossible.
12. Conclusion.
Bibliography.
Index.
Wilson focuses each of the three large parts of this book on one of three philosophical areas central to cultural materialism: value, history, and community. He provides excellent theoretical accounts of these areas. However, what makes this book more than an introduction is the author's decision to make each of these three abstract discussions a preface to textual analysis (chiefly of lSƒ