Defiant Itineraries Caribbean Paradigms in American Dance and Film [Hardcover]

How did Caribbean rituals helped form new currents in the performing and visual arts of the United States? This book answers this question through an examination of the Caribbean-inspired dance creations of dancer/choreographer Katherine Dunham and the experimental films of avant-garde filmmaker Maya Deren.

Preface
1. Introduction: Caribbean Performance: Dancing Transformation in Katherine Dunham's and Maya Deren's "Haitian Excursions"
2. Black Dance, Modern Dance, and the Caribbean: Locating the Work of Katherine Dunham and Maya Deren
3. Island Possessed: Dance Ethnography Performing the Caribbean
4. Maya Deren on Visualizing (Mediating) Vodou
Afterword: Caribbean Dis-Location

Lydia Plat?n L?zaro has performed a defiant itinerary of her own by carrying out a Caribbean-centered reading of Katherine Dunham's and Maya Deren's groundbreaking work within Caribbean and North American and European modernities, thus revaluing it and its use of Afro-Caribbean expressions taken as primitivistic or derivative. Tropes, forms, and rites that mean one thing in the Caribbean and another in the US and Europe are analyzed with the same subtlety and complexity as the artist-scholars themselves displayed. - Susan Homar, author of Contemporary Dance in Puerto Rico, or How to Speak of These Times , in Making Caribbean Dance: Continuity and Creativity in Island Cultures by Susanna Sloat

What fascinates about Defiant Itineraries is the deconstructive mediation and transformation of the normative ideology of colonial domination with its resultant cultural practices that invent the encased and categorized subject, the exotic Other. Underneath all else, Defiant Itineraries does more than trace the development of modern dance and film forms from fieldwork experiences in Haiti to the professional stage and the cult film archive. It asks, what can Haiti teach us? WhalÓî