This book explores the interplay between performing arts, intangible cultural heritage and digital environments through a compendium of essays on emerging practices and case studies, as well as critical, historical and theoretical perspectives. It features essays that engage with varied forms of intangible cultural heritage, from music and storytelling to dance, theatre and martial arts. Cases of digital technology interventions are provided from different geographical and cultural settings, from Europe to Asia and the Americas. Together, the collection reflects on the implications that digital interventions have on intangible cultural heritage engagements, its curation and transmission in diverse localities. The volume is a valuable resource for discovering the multiple ways in which cultural heritage is mediated through digital technologies, and engages with audiences, artists, users and researchers.
1 Introduction
Sarah Whatley, Rosamaria K. Cisneros, and Amalia Sabiescu
Part I Critical and Reflexive Engagements
2 Considering the Relationship Between Digitally Mediated
Audience Engagement and the Dance-Making Process
Laura Griffiths and Ben Walmsley
3 Performing the Uncanny: Psychoanalysis, Aesthetics
and the Digital Double
Suparna Banerjee
4 The Implications of Technology in Dance: A Dancers
Perspective of Moving in Media-Rich
Environments
Kerry Francksen
Part II Space, Time and Memory: Digital Interventions
5 Bark and Butterflies: Redeeming the PastDigital
Interventions into Post-Memory
Adrian Palka
6 Chorotopical Art: Mediatl³"