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The Dramatist and the Received Idea [Paperback]

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  • Category: Books (Drama)
  • Author:  Sanders
  • Author:  Sanders
  • ISBN-10:  0521298008
  • ISBN-10:  0521298008
  • ISBN-13:  9780521298001
  • ISBN-13:  9780521298001
  • Publisher:  Cambridge University Press
  • Publisher:  Cambridge University Press
  • Pages:  400
  • Pages:  400
  • Binding:  Paperback
  • Binding:  Paperback
  • Pub Date:  01-May-1980
  • Pub Date:  01-May-1980
  • SKU:  0521298008-11-MPOD
  • SKU:  0521298008-11-MPOD
  • Item ID: 100904714
  • Seller: ShopSpell
  • Ships in: 2 business days
  • Transit time: Up to 5 business days
  • Delivery by: Jul 05 to Jul 07
  • Notes: Brand New Book. Order Now.
A critical account of seven plays by Marlowe and Shakespeare, and he takes pains to analyse the context in which the plays were written.Dr Sanders book is a critical account of seven plays by Marlowe and Shakespeare. In his examination, Dr Sanders is at pains to analyse the nature of the intellectual and cultural environment in which the plays were written and to define the ways that this environment influenced Marlowe and Shakespeare.Dr Sanders book is a critical account of seven plays by Marlowe and Shakespeare. In his examination, Dr Sanders is at pains to analyse the nature of the intellectual and cultural environment in which the plays were written and to define the ways that this environment influenced Marlowe and Shakespeare.Dr Sanders' book grew out of uneasiness over commonly accepted ways of talking about Elizabethan literature. Phrases like 'world picture', 'received ideas' are so easily used that we bypass important questions: A picture of whose word? Ideas received by whom? and in what way? The heart of Dr Sanders' book is a critical account of seven plays by Marlowe and Shakespeare (The Massacre at Paris, The Jew of Malta, Edward II, Dr Faustus, Richard II, Richard III and Macbeth). In his examination, Dr Sanders is at pains to analyse the nature of the intellectual and cultural environment in which the plays were written, to define the ways in which this environment influenced Marlowe and Shakespeare and thus to come to a full understanding of the manner in which a work of art can be simultaneously 'of an age' and 'for all time'.A note on editions; Preface; 1. Literature as history: with some questions about 'historical imagination'; 2. Dramatist as jingoist: The Massacre at Paris; 3. Dramatist as realist: the Jew of Malta; 4. Machiavelli and the crisis of Renaissance political consciousness; 5. Providence and policy in Richard III; 6. Providence and history in Elizabethan thought; 7. History without morality: Edward II; 8. Shakespearean history: crló(
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