Using a broad definition of the Durkheimian tradition, this book offers the first systematic attempt to explore the Durkheimians engagement with art. It focuses on both Durkheim and his contemporaries as well as later thinkers influenced by his work. The first five chapters consider Durkheims own exploration of art; the remaining six look at other Durkheimian thinkers, including Marcel Mauss, Henri Hubert, Maurice Halbwachs, Claude L?vi-Strauss, Michel Leiris, and Georges Bataille. The contributorsscholars from a range of theoretical orientations and disciplinary perspectivesare known for having already produced significant contributions to the study of Durkheim. This book will interest not only scholars of Durkheim and his tradition but also those concerned with aesthetic theory and the sociology and history of art.
William Watts Milleris editor of?Durkheimian Studies/Etudes Durkheimiennes?and a member of the board of the British Centre for Durkheimian Studies. He has published extensively in the field, collaborated in translations, and is a member of the team producing a new critical edition of Durkheim's?Complete Works. His most recent book isA Durkheimian Quest: Solidarity and the Sacred(Berghahn Books, 2012).
W.S.F. Pickering taught sociology in Canada from 1958 to 1966 and then at Newcastle-upon-Tyne until he retired in 1987. Although his original interest was in the sociology of religion, he later turned to the work of Durkheim. In 1975 he publishedDurkheim on Religion(Routledge) and in 1984Durkheims Sociology of Religion: Themes and Theories(Routledge). He also contributed to and helped produce other books on Durkheim and his followers. In 1991, he helped found the British Centre of Durkheimian Studies, of which l3Ë