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Early Music History Studies in Medieval and Early Modern Music [Paperback]

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  • Category: Books (Literary Criticism)
  • ISBN-10:  0521104459
  • ISBN-10:  0521104459
  • ISBN-13:  9780521104456
  • ISBN-13:  9780521104456
  • Publisher:  Cambridge University Press
  • Publisher:  Cambridge University Press
  • Pages:  332
  • Pages:  332
  • Binding:  Paperback
  • Binding:  Paperback
  • Pub Date:  01-Jan-2009
  • Pub Date:  01-Jan-2009
  • SKU:  0521104459-11-MPOD
  • SKU:  0521104459-11-MPOD
  • Item ID: 100763293
  • Seller: ShopSpell
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  • Delivery by: Jul 12 to Jul 14
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Early Music History is devoted to the study of music from the early Middle Ages to the end of the seventeenth century.Early Music History is devoted to the study of music from the early Middle Ages to the end of the seventeenth century and includes manuscript studies, textual criticism, iconography, studies of the relationship between words and music, and the relationship between music and society. Articles in volume 20 include: The Footnote Quarrels of the Modal Theory: A Remarkable Episode in the Reception of Medieval Music; The Vatican Organum Treatise Re-examined; Ludwig Senfl and the Judas Trope: Composition and Religious Toleration at the Bavarian Court; Who 'Made' the Magnus liber?Early Music History is devoted to the study of music from the early Middle Ages to the end of the seventeenth century and includes manuscript studies, textual criticism, iconography, studies of the relationship between words and music, and the relationship between music and society. Articles in volume 20 include: The Footnote Quarrels of the Modal Theory: A Remarkable Episode in the Reception of Medieval Music; The Vatican Organum Treatise Re-examined; Ludwig Senfl and the Judas Trope: Composition and Religious Toleration at the Bavarian Court; Who 'Made' the Magnus liber?Early Music History is devoted to the study of music from the early Middle Ages to the end of the seventeenth century. The scope is exceptionally broad and includes manuscript studies, textual criticism, iconography, studies of the relationship between words and music, and the relationship between music and society. The journal gives preference to studies pursuing interdisciplinary approaches and to those developing new methodological ideas.1. Encompassing past and present: quotations and their function in Machuat's motets Jacques Boogaart; 2. The footnote quarrels of the modal theory: a remarkable episode in the reception of medieval music John Haines; 3. The Vatican organum treatise re-examined Steven C. Immel; l#Ÿ
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