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Eighteenth-Century Fiction on Screen [Paperback]

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  • Category: Books (Performing Arts)
  • ISBN-10:  0521529107
  • ISBN-10:  0521529107
  • ISBN-13:  9780521529105
  • ISBN-13:  9780521529105
  • Publisher:  Cambridge University Press
  • Publisher:  Cambridge University Press
  • Pages:  242
  • Pages:  242
  • Binding:  Paperback
  • Binding:  Paperback
  • Pub Date:  01-May-2002
  • Pub Date:  01-May-2002
  • SKU:  0521529107-11-MPOD
  • SKU:  0521529107-11-MPOD
  • Item ID: 101399761
  • Seller: ShopSpell
  • Ships in: 2 business days
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  • Delivery by: Jul 11 to Jul 13
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This collection offers an extensive introduction to cinematic representations of the eighteenth century.This collection offers an extensive introduction to cinematic representations of the eighteenth century, mostly derived from classic fiction of that period, and sheds new light on the process of making prose fiction into film. The contributors provide a variety of theoretical and critical approaches to the process of bringing literary works to the screen. They consider a broad range of film and television adaptations, including several versions of Robinson Crusoe and adaptations of Gulliver's Travels, Clarissa and Tom Jones. This book will appeal to students of literature and film alike.This collection offers an extensive introduction to cinematic representations of the eighteenth century, mostly derived from classic fiction of that period, and sheds new light on the process of making prose fiction into film. The contributors provide a variety of theoretical and critical approaches to the process of bringing literary works to the screen. They consider a broad range of film and television adaptations, including several versions of Robinson Crusoe and adaptations of Gulliver's Travels, Clarissa and Tom Jones. This book will appeal to students of literature and film alike.Offering an extensive introduction to cinematic representations of classic fiction of the eighteenth century, this study sheds new light on the process of converting prose fiction into film. The contributors provide a variety of theoretical and critical approaches to the process of bringing literary works to the screen. They consider a broad range of film and television adaptations, including several versions of Robinson Crusoe and adaptations of Gulliver's Travels, Clarissa and Tom Jones. This book appeals to students of literature and film alike.Illustrations; Introduction: Is there a text in the screening room? Robert Mayer; 1. The cinema of attractions and the novel in Barry Lyndon and Tom Jonlc$
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