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Elizabethan Stage Conventions and Modern Interpreters [Paperback]

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  • Category: Books (Performing Arts)
  • Author:  Dessen, Alan C.
  • Author:  Dessen, Alan C.
  • ISBN-10:  0521311616
  • ISBN-10:  0521311616
  • ISBN-13:  9780521311618
  • ISBN-13:  9780521311618
  • Publisher:  Cambridge University Press
  • Publisher:  Cambridge University Press
  • Pages:  204
  • Pages:  204
  • Binding:  Paperback
  • Binding:  Paperback
  • Pub Date:  01-May-1986
  • Pub Date:  01-May-1986
  • SKU:  0521311616-11-MPOD
  • SKU:  0521311616-11-MPOD
  • Item ID: 101400117
  • Seller: ShopSpell
  • Ships in: 2 business days
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  • Delivery by: Jul 10 to Jul 12
  • Notes: Brand New Book. Order Now.
Alan Dessen reconstructs the stage in the Elizabethan era from scrutinising four hundred manuscripts.Alan Dessen reconstructs the stage in the Elizabethan era. He believes from stage properties, movements and configurations implicit in recurrent phrases and stage directions, a kind of theatrical shorthand was developed by actors from the playwright. He draws attention to the implications of his findings for modern interpreters, critics, teachers, editors, actors and directors.Alan Dessen reconstructs the stage in the Elizabethan era. He believes from stage properties, movements and configurations implicit in recurrent phrases and stage directions, a kind of theatrical shorthand was developed by actors from the playwright. He draws attention to the implications of his findings for modern interpreters, critics, teachers, editors, actors and directors.Alan Dessen samples about four hundred manuscripts and printed plays to record the original staging conventions of the age of Shakespeare. After studying the stage properties, movements and configurations implicit in recurrent phrases and stage directions, he concludes that Elizabethan spectators, less concerned with realism than later generations, were used to receiving a kind of theatrical shorthand transmitted by the actors from the playwright. Professor Dessen both describes this shorthand (e.g. the use of nightgowns, boots and dishevelled hair) and draws attention to the implications of his findings for modern interpreters, addressing not only critics and teachers but also editors, actors and directors.Preface; Note on texts and old spelling; 1. The arrow in Nessus: Elizabethan clues and modern detectives; 2. Interpreting stage directions; 3. The logic of 'this' on the open stage; 4. Elizabethan darkness and modern lighting; 5. The logic of 'place' and locale; 6. The logic of stage violence; 7. Theatrical metaphor: seeing and not-seeing; 8. Conclusion: Elizabethan playscripts and modern interpreters; Notes; List of plC&
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