Empire on the English Stage 16601714 analyzes Restoration and early eighteenth-century drama in terms of empire.Empire on the Restoration Stage analyzes Restoration and early-eighteenth-century drama in terms of empire. The book provides a comprehensive account of colonialism, national identity and the representation of race and ethnicity on stage. Joining current historical discussions of the development of British imperial ideology, Bridget Orr argues that dramatic texts and production provide a rich and unexamined archive in which the issues attendant on the emergence of the first empire figure largely.Empire on the Restoration Stage analyzes Restoration and early-eighteenth-century drama in terms of empire. The book provides a comprehensive account of colonialism, national identity and the representation of race and ethnicity on stage. Joining current historical discussions of the development of British imperial ideology, Bridget Orr argues that dramatic texts and production provide a rich and unexamined archive in which the issues attendant on the emergence of the first empire figure largely.Empire on the Restoration Stage analyzes Restoration and early-eighteenth-century drama in terms of empire. The book provides a comprehensive account of colonialism, national identity and the representation of race and ethnicity on stage. Joining current historical discussions of the development of British imperial ideology, Bridget Orr argues that dramatic texts and production provide a rich and unexamined archive in which the issues attendant on the emergence of the first empire figure largely.List of illustrations; Acknowledgements; 1. New habits on the stage; 2. Enlarging the poet's empire: poetics, politics and heroic plays, 16601714; 3. The great Turks: the Ottomans on stage, 16601714; 4. The most famous monarchs of the East; 5. Spain's grand project of a universal empire; 6. Brave new worlds: Utopian plays of the Restoration; 7. The customs of the country: colonialÃ.