In this provocative work, Alvin H. Rosenfeld contends that the proliferation of books, films, television programs, museums, and public commemorations related to the Holocaust has, perversely, brought about a diminution of its meaning and a denigration of its memory. Investigating a wide range of events and cultural phenomena, such as Ronald Reagan's 1985 visit to the German cemetery at Bitburg, the distortions of Anne Frank's story, and the ways in which the Holocaust has been depicted by such artists and filmmakers as Judy Chicago and Steven Spielberg, Rosenfeld charts the cultural forces that have minimized the Holocaust in popular perceptions. He contrasts these with sobering representations by Holocaust witnesses such as Jean Am?ry, Primo Levi, Elie Wiesel, and Imre Kert?sz. The book concludes with a powerful warning about the possible consequences of the end of the Holocaust in public consciousness.
This remarkable new work of scholarshipwritten in accessible language and not in obscure academeseis exactly the Holocaust book the world needs now. Indeed, it could not have been written before now because it is about now and how the specificity of the Nazis' gruesome, unprecedented and nearly sucessful genocide against Europe's Jews is being lost today, turned into mushy metaphor, unplugged from its historical roots. April 16, 2011The time . . . is ripe for The End of the Holocaust, an important and deeply sobering book.7/11/2011This book has monumental importance in Holocaust studies because it demands answers to the question how our culture is inscribing the Holocaust in its history and memory.The End of the Holocaust is an illuminating exploration that offers a worried look at Holocaust representation in contemporary culture and politics, reminding us that the great works focus on the distinctive tragedy of extermination, killing, radical dehumanization, and continuing trauma. August 2011For showing us how to remember the Holocaust, and how to recognil³ç