A Feminist Perspective on Renaissance Drama [Paperback]

We know that women made up a significant part of Renaissance theatre audiences but how might they have read the plays presented there?Acknowledgements.

Introduction.

1.'Heavenly matters of theology'.

2. Revenge Tragedy.

3. 'I please my self': Female Self-fashioning.

4. Household Tragedies.

5. Queens and Subjects.

Index.

In this valuable book Alison Findlay attempts to develop historically grounded feminist responses to a wide variety of Renaissance plays . . . Findlay writes with admirable clarity and concision, offering interpretations that are informed but never obscured by contemporary - especially Lacanian - critical theory. This is a good book, worth reading and debating. Early Modern Literary Studies.

All the essays are new, and together they illuminate a wide range of issues across a reasonable spread of plays. The book offers a range of thoughtful and stimulating approaches to gender on the Renaissance stage. The Yearbook of English Studies

Alison Findlay is a lecturer in English at Lancaster University, specializing in feminist approaches to Shakespeare, Renaissance Drama and women's writing of the early modern period.We know that women made up a significant part of Renaissance theater audiences but how might they have read the plays presented there? This book uses the writings of sixteenth and seventeenth century women to construct a feminist perspective on drama by Shakespeare, Marlowe, Jonson, Middleton, Ford, and their contemporaries.

Chapters are arranged thematically on key issues or genres. Women's religious compositions open up readings of plays like Doctor Faustus and Measure for Measure as interrogations of conventional beliefs which underpinned relations between men anl³