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French Modernisms Perspectives on Art Before, During, and After Vichy [Hardcover]

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  • Category: Books (Art)
  • Author:  Cone, Mich}}le C.
  • Author:  Cone, Mich}}le C.
  • ISBN-10:  052178350X
  • ISBN-10:  052178350X
  • ISBN-13:  9780521783507
  • ISBN-13:  9780521783507
  • Publisher:  Cambridge University Press
  • Publisher:  Cambridge University Press
  • Pages:  236
  • Pages:  236
  • Binding:  Hardcover
  • Binding:  Hardcover
  • Pub Date:  01-May-2001
  • Pub Date:  01-May-2001
  • SKU:  052178350X-11-MPOD
  • SKU:  052178350X-11-MPOD
  • Item ID: 100782701
  • Seller: ShopSpell
  • Ships in: 2 business days
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  • Delivery by: Jun 22 to Jun 24
  • Notes: Brand New Book. Order Now.
Argues that the art establishment's promotion of Vichy-era values led to the decline of French art.French Modernisms: Perspectives on Art Before, During, and After Vichy examines the close link between art and politics in France from 1935 to 1970. In essays on the exhibition and criticism of modern art, Michèle Cone provides a broader context for the xenophobia that characterizes Vichy-era France. Cone argues that the decline of French art in the second half of the century was caused, not by the invasion of foreign artists, but by the Parisian art establishment itself, which continued to promote the Vichy-era values of national identity and national tradition.French Modernisms: Perspectives on Art Before, During, and After Vichy examines the close link between art and politics in France from 1935 to 1970. In essays on the exhibition and criticism of modern art, Michèle Cone provides a broader context for the xenophobia that characterizes Vichy-era France. Cone argues that the decline of French art in the second half of the century was caused, not by the invasion of foreign artists, but by the Parisian art establishment itself, which continued to promote the Vichy-era values of national identity and national tradition.French Modernisms: Perspectives on Art Before, During, and After Vichy examines the close link between art and politics in France from 1935 to 1970. In essays on the exhibition and criticism of modern art, Michèle Cone provides a broader context for the xenophobia that characterizes Vichy-era France. Cone argues that the decline of French art in the second half of the century was caused, not by the invasion of foreign artists, but by the Parisian art establishment itself, which continued to promote the Vichy-era values of national identity and national tradition.Introduction: art, nationality and national tradition: the case of France from 1937 to 1968; 1. Collaboration foretold: French art of the present in Hitler's BelÕ
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