A Future for Criticism considers why fiction gives so much pleasure, and the neglect of this issue in contemporary criticism. 
- Offers a brief, lively, and accessible account of a new direction for critical practice, from one of Britain's most prominent literary theorists and critics
- Proposes a new path for future criticism, more open to reflecting on the pleasures of fiction
- Written in a clear, jargon-free style, and illustrated throughout with numerous examples
Preface xi
1 Pleasure: Have we neglected it? 1
Fiction for pleasure 1
The case of tragedy 3
The English curriculum 6
Cries of joy 7
‘Aesthetic’ pleasure 9
The Pleasure of the Text 12
Modernist unpleasure 14
Gaiety 15
2 Piety: Haven’t we overdone it? 18
Criticism on the defensive 18
Classic defences 22
The advent of theory 24
Law 28
The superego 29
Neurosis 30
Complacency 31
Culture and Anarchy 32
Artefacts and pleasure 33
Critical writing 34
3 Biography: Friend or foe? 37
Life and art 37
Biography in theory 39
What the authors say 42
New Historicism 43
Shakespeare’s life 44
Fact or fiction? 46
Shakespeare’s memory 47
Romance 51
The death of the reader 52
4 Realism: Do we overl#g