Georgic Modernity and British Romanticism Poetry and the Mediation of History [Hardcover]

Goodman traces connections between Georgic verse and developments in other spheres from the late seventeenth to the early nineteenth centuries.Kevis Goodman traces connections between georgic verse and developments in other spheres that were placing unprecedented emphasis on mediation from the late seventeenth to early nineteenth centuries. She expands the subject of the Georgic to broader areas of literary and cultural study--including the history of the feelings, print culture, and early scientific technology. Goodman maintains that the verse form presents ways of perceiving history in terms of sensation, rather than burying history in nature, an approach more usually associated with Romanticism.Kevis Goodman traces connections between georgic verse and developments in other spheres that were placing unprecedented emphasis on mediation from the late seventeenth to early nineteenth centuries. She expands the subject of the Georgic to broader areas of literary and cultural study--including the history of the feelings, print culture, and early scientific technology. Goodman maintains that the verse form presents ways of perceiving history in terms of sensation, rather than burying history in nature, an approach more usually associated with Romanticism.Kevis Goodman traces connections between georgic verse and developments in other spheres that were placing unprecedented emphasis on mediation from the late seventeenth to early nineteenth centuries. She expands the subject of the Georgic to broader areas of literary and cultural study--including the history of the feelings, print culture, and early scientific technology. Goodman maintains that the verse form presents ways of perceiving history in terms of sensation, rather than burying history in nature, an approach more usually associated with Romanticism.Introduction: Georgic Modernity: sensory media and the affect of history; 1. The Georgics and the cultivation of mediums, 16601712; 2. The microscopic eye and the nlÓ: