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Giuseppe Verdi Falstaff [Paperback]

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  • Category: Books (Music)
  • Author:  Hepokoski, James A.
  • Author:  Hepokoski, James A.
  • ISBN-10:  0521280168
  • ISBN-10:  0521280168
  • ISBN-13:  9780521280167
  • ISBN-13:  9780521280167
  • Publisher:  Cambridge University Press
  • Publisher:  Cambridge University Press
  • Pages:  192
  • Pages:  192
  • Binding:  Paperback
  • Binding:  Paperback
  • Pub Date:  01-May-1983
  • Pub Date:  01-May-1983
  • SKU:  0521280168-11-MPOD
  • SKU:  0521280168-11-MPOD
  • Item ID: 101407390
  • Seller: ShopSpell
  • Ships in: 2 business days
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  • Delivery by: Jul 10 to Jul 12
  • Notes: Brand New Book. Order Now.
A compact, up-to-date guide to the history and construction of Verdi's last  and possibly greatest - opera.A guide to the history and construction of Verdi's last and possibly greatest opera. Examines Verdi's own guidelines for the opera's staging, singing and interpretation. Includes a summary of the current research about the opera, a bibliography, discography, and many illustrations.A guide to the history and construction of Verdi's last and possibly greatest opera. Examines Verdi's own guidelines for the opera's staging, singing and interpretation. Includes a summary of the current research about the opera, a bibliography, discography, and many illustrations.This book is a compact, up-to-date guide to the history and construction of Verdi's last - and possibly greatest - opera. Incorporating the findings of the most recent research, it provides performers, opera enthusiasts, students and scholars alike with a reliable summary of what is currently known about the work. The book gives a full synopsis of the plot and a detailed account both of Verdi's aims in composing the opera and of how he actually composed it: which portions were difficult for him, which he considered crucial, which were afterthoughts, etc. Special attention is given to separating the three versions of Falstaff that Verdi approved - versions that are still confused in almost all performances today. Professor Hepokoski also supplies extensive discussions of Boito's derivation of the plot and text from Shakespeare (and others); of the musical technique and structure of Falstaff; and of Verdi's own guidelines for interpretation, staging and singing. A guide to critical assessments of the opera illustrates the widely differing receptions the opera has had in the twentieth century, and a concluding essay by Graham Bradshaw discusses Shakespearean aspects of both Otello and Falstaff. The book contains a bibliography, a discography (by Malcolm Walker), illustrations of the original stage designs and ló"
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