Welcome to “Fog Town Holler,” Pulitzer Prize finalist Maurice Manning’s glorious rendering of a landscape not unlike his native Kentucky. Conjuring this mythical place from his own roots and memories — not unlike E. A. Robinson’s Tilbury Town or Faulkner’s Yoknapatawpha County — Manning celebrates and echoes the voices and lives of his beloved hill people.
In Fog Town Holler men have “funny names,” like Tiny Too and Eula Loom. A fox is known as Redleg Johnny. A neighbor issues a complaint against an early-rising rooster; another lives in the chicken coop. “Lawse,” a woman exclaims, “the sun can’t hardly find this place!” But they feel the Lord watching, always, as the green water of Shoestring Branch winds its way through hillbilly haunts and memories.
The real world no longer resembles the one brought so vividly to life in the poems in these pages, but through his meditations on his boyhood home, Manning is able to recapture what was lost and still, yet, move beyond it. He brings light to this place the sun can’t find and brings a lost world beautifully, magically, once again into our present.
With The Gone and the Going Way, Pulitzer finalist Maurice Manning returns us to the beloved and lamented lives and landscape of the hill people of his native Kentucky.
"[Manning is] the literary guardian of a way of life he feels is vanishing from small-town Kentucky and America... [“The Gone and the Going Away”] maintains his fidelity to rural themes, recapturing a lost world for readers to remember and preserve....Although Manning has been lauded throughout the country for his work — garnering accolades from some of the major poets of our time, like W.S. Merwin, in addition to the numerous awards he has received — he has found his place in this literary life, wearing it now as effortlessly as the patterned chambray shilª