The popularity of the Gothic in the British fin de si?cle, and its links with scientific and social theories.This book accounts for the resurgence of Gothic, and its immense popularity, during the British fin de siècle. In particular, Kelly Hurley explores a key scenario that haunts the genre: the loss of a unified and stable human identity, and the emergence of a chaotic and transformative 'abhuman' identity in its place. Gothic is revealed as a highly productive and speculative genre, strongly indebted to nineteenth-century scientific, medical and social theories, including evolutionism, criminal anthropology and degeneration theory.This book accounts for the resurgence of Gothic, and its immense popularity, during the British fin de siècle. In particular, Kelly Hurley explores a key scenario that haunts the genre: the loss of a unified and stable human identity, and the emergence of a chaotic and transformative 'abhuman' identity in its place. Gothic is revealed as a highly productive and speculative genre, strongly indebted to nineteenth-century scientific, medical and social theories, including evolutionism, criminal anthropology and degeneration theory.This book accounts for the resurgence of Gothic, and its immense popularity, during the British fin de siècle. In particular, Kelly Hurley explores a key scenario that haunts the genre: the loss of a unified and stable human identity, and the emergence of a chaotic and transformative abhuman identity in its place. Gothic is revealed as a highly productive and speculative genre, strongly indebted to nineteenth-century scientific, medical and social theories, including evolutionism, criminal anthropology and degeneration theory.Introduction; Part I. The Gothic Material World: 1. The revenge of matter; 2. Symptomatic readings; Part II. Gothic Bodies: 3. Evolutionism and the loss of human specificity; 4. Entropic bodies; 5. Chaotic bodies; Part III. Gothic Sexualities: 6. Uncanny female lă(
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