This book is about the ways that Gothic literature has been transformed since the 18th century across cultures and across genres. In a series of essays written by scholars in the field, the book focuses on landscape in the Gothic and the ways landscape both reflects and reveals the dark elements of culture and humanity. It goes beyond traditional approaches to the Gothic by pushing the limits of the definition of the genre. From landscape painting to movies and video games, from memoir to fiction, and from works of different cultural origins and perspectives, this volume traverses the geography of the Gothic revealing the anxieties that still haunt humanity into the twenty-first century.
Introduction. Haunted Landscapes and Fearful Spaces: Expanding Views on the Geography of the Gothic; Sharon Rose Yang and Kathleen Healey.- PART I: CROSS-GENRE: HIDEOUS HYBRIDS/HYBRIDS OF HORROR.- 1. Dark Shadows in the Promised Land: Landscapes of Terror and the Visual Arts in Charles Brockden Browns Edgar Huntly; Kathleen Healey.- 2.Haunting Landscapes in Female Gothic Thriller Films: From Alfred Hitchcock to Orson Welles; Sheri Chinen Biesen.- 3. Beauty Sleeping in the Lap of Horror : Landscape Aesthetics and Gothic Pleasures, from The Castle of Otranto to Video Games; Alice Davenport.- PART II: DARKNESS IN UNEXPECTED PLACES: NOT YOUR GRANDMOTHERS HAUNTED CASTLE.- 4. What the Green Grass Hides: Denial and Deception in Suburban Detroit; Amber Vayo.- 5. Go steady, Undine! : The Horror of Ambition in Edith Whartons The Custom of the Country; Myrto Drizou.- 6. The Convent as Coven: Gothic Implications of Women-Centered Illness and Healing Narratives in Toni Morrisons Paradise; Belinda M. Waller-Petersonlăµ
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